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“Around the World” and “Harder Better Faster Stronger” blend effortlessly into a single, delicious track “One More Time” and “Aerodynamic” intertwine as if it were the plan all along and every Human After All entry is boosted by its brother songs.
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The pair has toured only twice in 20 years, but thankfully we have Alive 2007 to blast, an incendiary concert album that exists as one of the premier live LPs of this century.Īlive captures Daft’s most recent roadshow - specifically a Jrager in Paris - and though the audible roaring crowd is cool, the album’s real appeal lies in its mashups, which merge the band’s first three records into a re-electrified mixtape. It’s a fact as cold and hard as their gleaming helmets: most of Daft Punk’s fans, especially in the U.S., have never seen the group perform live. Homework can feel overtly simple, even amateurish when compared to its successors, but we still have great respect for the project that morphed Daft from loud lords of a cultish underground scene to bonafide tastemakers. Dre even gets a shoutout in the later track “Teachers”) the spacey swagger of Parliament-Funkadelic and Chic threaded throughout. To its credit, Homework remains an alluring hodgepodge, and our first taste of Daft’s eclecticism: the disco-tech bassline and burrowing hook of “Around the World” the West Coast hip-hop whirring of “Da Funk” (Dr. The group’s initial plan was to rollout a handful of free-standing singles, but soon there were too many quality tracks not to make an album. And maybe that’s for the best Homework isn’t exactly cohesive, nor was it truly meant to be.
RANKING ALL DAFT PUNK SONGS PASSWORD
Over time, this list’s Record Of Honor has become lauded moreso for its legacy - as pop’s first password to the French-house hard drive - than for the sum of its hypnotic parts. But Tron’s director Joseph Kosinski was correct to tap Daft Punk to create this heroic score. Sure, listening to the hour-long instrumental LP without the context of the film can be a little daunting. Tidbits are stolen from the Human After All and Discovery sounds, but Legacy’s sweeping, ambient aesthetic is largely unrecognizable from the group’s other works. The fearless swells in “Arena” and “Rinzler” are lush, and deeply effective bridges between DP’s electronic realm and the orchestral fields they deftly harvested for this project (an 85-piece orchestra was employed to record the album).
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De Homem-Christo and Bangalter explored their inner maestros and composed a wholly imagined and thematically striking soundscape to back an otherwise lukewarm film reboot.
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Human is the lone Daft Punk album to feel reactionary to the band’s own success, and even if it did produce a successful inverse to Discovery, it was as impersonal as the group has ever been.Ī Disney soundtrack is surely the square peg in this ranking, but Tron: Legacy is no slouching, sappy film score. Typically, Daft is a masterful employer of repetition, but the echoing hooks to “Steam Machine” and “Television” border on monotony, and there just isn’t enough innovation to counteract the dullness. While themes of dark, tech-fearing paranoia were fresh to the group - and employed purposefully, to contrast the buoyancy of Discovery - Human’s themes largely feel recycled the tech-jargon labyrinth “Technologic,” piggybacks off the more memorable precursor “Harder Better Faster Stronger,” and while plenty catchy in its thick guitar leads, the lead single “Robot Rock” is too on-the-nose for a band famous for its mechanized appearance. If there is a valley, or caricature album in Daft’s catalog, it’s Human, the group’s most melodically austere and numbing record.